Decades ago, I was encouraged to teach my very first textile class. My kind mentor, Denise Kavanagh, suggested a two-day workshop at the Fine Line Creative Arts Center in St. Charles, Illinois. Students created a kimono-like jacket similar to those I made and sold in boutiques throughout the country. Thus began my teaching career!
I no longer teach there but am exhibiting artwork at the Fine Line Kavanagh Gallery. Two of my hand embroideries, Bluebird with Happiness #1 and Bluebird with Happiness #2, are part of the Bird on the Wing exhibit that extends through August 10. I hope you can see it.
This regional arts center has classes in ceramics, jewelry and paper making, dyeing, weaving, glass blowing, and even blacksmithing. You name the art or craft, and the Fine Line has a class for it. It is also a warm and welcoming venue that nurtures artists and beginners like me!
Like many of you, I belong to a community of fun loving quilters. A member of my quilt community was my friend Roberta Horton (left) who passed away in February of 2021. In Roberta’s honor, her twin sister, Mary Mashuta (right), requested that several artisans make quilts using fabric designed by Roberta for a special exhibit debuting at the Pacific International Quilt Festival in Santa Clara, CA, this fall.
Roberta designed these fabrics for Clothworks of Seattle several years ago. They are yarn-dyed handwoven fabrics featuring a variety of plaid and stripe patterns. Mary sent me a stack of Roberta’s beautiful fabrics to use with my own fabrics to create the quilt. I was instantly smitten by the feel of the cloth and the colors!
I have fond memories of visiting Roberta and Mary at their home in Berkley, CA. Their warm Craftsman-style home not only housed their colorful studios but a lush garden in the backyard. Mary called it Roberta’s garden. Roberta populated the garden with repurposed chairs and potted plants along stone paths. It was a peaceful respite, a haven in a big city.
As I created Roberta’s Garden, I thought of all the quiltmakers she taught and encouraged over the years, including me. It was always a delight to see her and Mary at quilt shows and chat with them about quilting and our quilt community. I am honored to be part of this exhibit and this vast quilt community that embraces us all. Thank you, Roberta. Thank you, Mary.
Ever start something and think, “What was I thinking?” To fill in the background of this free-form embroidery, I happily stitch a series of small arcs to build an ogee pattern. The curved lines are made with a stem stitch and a size 12 Forget Me Nots thread.
And then I realize there is a lot of background to fill in! Hours and hours later, the purple felted wool is finally covered with an ocean of ogees. And just like childbirth, I get to experience the happy part once it’s over.
Lingering in my stack of felt is this circle of lime green felt. I choose it because the complementary green color sets off the purple fabric shape and repeats the greens found in the bird and apple. It is meant to be!
After attaching the purple wool to the green, I trim the green felt with a pinking blade and tack it to a turquoise circle of felt. To balance out the texture of the piece, I fill in the green fabric by adding branches of stem stitches surrounded by jolly lazy daisy stitches. That’s a size 12 Green Grass thread making the branches.
To finish the edges, I trim the turquoise felt with the pinking blade. Then fly stitches travel around the pinked edges of the green along with smart little French knots in size 8 Butter thread inserted into each pinked peak.
I had no idea what the final design would be when creating this reimagined embroidery. But it gives me great joy, so I’ve named it Bluebird with Happiness #2.
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