Don’t be like me.
I have a bad habit of knotting the end of the thread before stitching. See how that light blue thread has caught on the yellow knot? This is bad!
I hadn’t realized that there was a giant loop of thread hanging off the back of the design until much later. That loop means the top threads can be pulled to the front of the design. I don’t pretend to be the neatest stitcher in the world and know that this will be covered up by a backing fabric. But my bad habit is shoddy workmanship.
This is how to best begin your threads. Take a few back stitches into the wrong side of the fabric. In this case I’m using felt so you won’t see the stitches on the right side of the fabric.
To end a thread, stitch into the previous stitches on the back of the design. Then clip both the ending thread and the tail of thread at the beginning of your stitches close to the fabric.
This is one of many stitch tips from Playful Free-Form Embroidery. Tips all learned the hard way!
Something is comforting about having wool or felt in your hands. They are both soft and easy to stitch but they also have body, something sturdy to grip while stitching.
I also like the matte texture of felt and wool. They are cozy, comforting fabrics.
So why not combine the two fabrics when doing free-form embroidery?
Today’s Stitch Tip: Combine Wool and Felt
The sheep, birdhouse, and backing in A Friend’s House from Playful Free-Form Embroidery are made with felt. Felt consists of fibers that are compressed or felted together. Felt made with at least 20% wool content works best. I get my felt from Commonwealth Felt.
The cloud and background fabrics are hand-dyed wool from Tracy Trevethan. She dyes woven wool fabrics in intense clear colors in a weight that is perfect for stitching. Another joy when stitching wool and felt? Neither fabric frays. Try a felt and wool combination today!
Your next quilt composition can begin with a simple design trigger like this bias-fused collage of light blue and purple fabric. It has so many possibilities! Creating artwork from design triggers is common practice if you are an improviser. I call this method of making art accidental design.
Being an accidental artist is the topic for my current online class with Quilter’s Affair. Students create design triggers after building several fused collages. Then they use their scraps and collages to develop compositions based on those design prompts. Here’s what became of my design trigger. In keeping with my quest for the perfect vase, I created this striped vase for skinny flowers placed on an orange doily.