The Lazy Daisy stitch is often used to create flowers but it has the potential to create pattern on the surface of fabric too. Here you see rows of the Lazy Daisy separated by lines of the Stem Stitch. I’m using a size 12 Lettuce thread. Lettuce is a fresh green, turquoise, and chartreuse variegated thread.
If you make the loop of the Lazy Daisy stitch wide enough you can fill it in with a French Knot. This builds even more pattern on the fabric surface. These knots are made with a size 12 Oranges thread that offers high contrast with the dark green background fabric and fresh greens in the Lazy Daisy stitches. Isn’t this a beautiful pattern created with the Lazy Daisy stitch?
A Note about Fusible Web
The fusible web I’m using for all the silk fabrics in this design is Misty Fuse. Misty Fuse fusible web is a very lightweight mesh of glue. When you apply it to shear fabrics the glue does not penetrate the silk and appear on the other side of the fabric like the heavier fusible webs used on cotton fabrics.
Misty Fuse does not come with paper. So you must use silicone release paper or parchment paper to transfer it to fabrics. (Please test parchment paper before using.) An added advantage to using Misty Fuse is that it is easy to stitch through. I recommend it highly.
One of the easiest of embroidery stitches is combined here with one of the most frustrating. The Running Stitch is a linear stitch used to create dashed lines on fabric. Here I’m using a size 8 pearl cotton thread called Oranges to make rows of Running Stitches. Easy peasy!
And then comes those frustrating French Knots scattered between the rows. Why do I find them frustrating? Because I have to carefully and slowly draw the thread through the knot to finish it correctly. How am I supposed to do that and watch a movie at the same time?
Despite my tiff with French Knots, I do love how they pop off the surface of the fabric and add pizzazz to our humble Running Stitches. They are the swiftest means of texturing fabric or adding fleece to a sheep. More on French Knots later.
A Note about Batting
The piece I am working on in this series is fused to wool batting using Misty Fuse fusible web. I am stitching just through the quilt top and the wool batting. Later, the backing fabric is added. Why use wool batting?
Wool batting gives body to the work so you have something to grip while adding lots of embroidery stitches.
It does not have a scrim so you don’t have to worry about the quilt rippling. (Learn more about scrim in my class, Fusing 101.)
Wool batting is much easier to stitch into than cotton or polyester batting.
It lets you carry threads behind the quilt surface without tying them off and it conceals the carried thread.
Wood batting adds dimension to the quilt surface which is what quilting is all about!
The Blanket Stitch is a working stitch typically used to hold one fabric shape onto another fabric. It works to conceal the edge of the fabric shape and bites into both fabrics to secure the shape into place.
Here you see the Blanket Stitch used on the tree top fabrics that are fused into place. I’m using a variegated size 8 pearl cotton called Lime Frappe. Notice that without the blanket stitch, the two green fabrics appear flat.
But add the Blanket Stitch and the tree top becomes full of juicy healthy leaves. Your basic Blanket Stitch is not only a working stitch, it excels as a decorative stitch. It boldly outlines a shape giving it a defined edge. It livens up fabric shapes giving them extra texture. It is a simple stitch that can surprise you!
A Note About Variegated Threads
The threads I am using in this embroidery are my hand-dyed pearl cotton threads that are variegated in color. I love using them! Whether using threads with obvious color changes like Lime Frappe (5th from the top) or subtle changes in color like Sprouts (the top thread), variegation adds movement and interest to the design.
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