How to Make an Improvised Fused Art Quilt

How to Make an Improvised Fused Art Quilt

This series of posts shows you the evolution of a piece of improvised artwork. These fused silk fabric scraps above from previous projects are the “starter dough”, the puzzle parts that I must fit together. They were chosen for their shape and color and because they seduced me with their silky sheen. Those naughty fabrics!

Design Triggers

My first step is to sort through my pre-fused scraps of fabric. The large red shape above suggests a horizon line or a division of space. The slope of that curve is most attractive! This fabric is the trigger, the beginning of the quilt design. It tells me where to begin.

Background Fabric

Making an art quilt from my vast collection of fused fabric scraps is quit exciting! The results are unknown and the maker remains ….clueless. But after auditioning several colors, this fabric is chosen as a base or background for the quilt design.

The light valued gradation of green, blue, and violet seemed the perfect foil for that seductive red silk fabric, a fabric with a lovely curve.

Being ever alert, I notice that some of the silk scraps chosen for the project are already cut on the bias. The light bulb turns on and I cut bias strips from these gold and green silks.

Turns out that bias cut strips are perfect for weaving because they don’t fray.( Fraying is the bane of the fuser!) The bias strips are woven into a collage and fused together on release paper. After it cools, the collage is peeled off and free-cut into this shape.

Now I know what I’m making! It’s a basket or pot that is holding something. And the red curved fabric is a table! The pot and table aren’t fused into place on the pastel background yet. Things may change and I must be free to reposition my pot.

Free-cutting Flowers

Returning to my bag o’scraps, I discover salmon colored silk shapes along with a precisely cut crescent shape. This scallop edged crescent is an extra flower cut from the Kay’s Bouquet Accuquilt die used in my IQF class kits in Houston. (Proving that there is life after Houston.)

Using my favorite sharp scissors, I free-cut a trumpet shaped flower to go along with the die cut flower. Should I use the die cut silk flower and combine it with the free-cut trumpet flower?

No! Lets make it a doily! Or, as we call it at my house, an antimacassar.

Arranging Elements in an “Artful Manner”

After free-cutting 3 trumpet flowers, they are arranged on the background fabric in an artful manner. (An artful manner means positioning them at different heights and at different angles for an eye-catching effect.) Note the artfully placed green dots under the flowers to make artful flower bases.

The dainty doily is slipped under the pot as it is finally positioned on the red table. The flowers, table, doily, and pot are fuse-tacked into place. (Fuse-tacking is just applying 5 seconds of heat to the fabric elements. We don’t want to kill the glue by applying too much heat for too long.)

But wait!  Before fusing the pot down completely, a piece of release paper is place just under the rim. That way stems and leaves can go under the rim of the pot when they are added.

The same green fabric found in the flower pot is cut into narrow bias stems for the flowers. The fabric is placed glue-side-up when cutting on the mat. This way the glue on fabric doesn’t tack to the mat and stretch the glue on the narrow strips.

It finally occurs to me that the pot needs a rim in a color that will contrast with the stems and leaves. So a gold rim with a decorative cut pink fabric is added to the top of the pot.

Attaching a stem to the flower base dot, the stem is fused and curved down to the pot rim. The stem is sniped to size and tucked under the rim of the pot.

Inspiration and Leaves for the Stems

Inspiration strikes! As the creation of my improvised art quilt made from fused fabric scraps continues, I make even more …. fused fabric scraps. That’s where the narrow strips of salmon/pink fabric come from that are placed above each trumpet flower. Those strips are the cut-aways from the trumpet flowers.

After cutting the strips to size and fusing them into place above each flower, the creation of leaves begins. Each leaf, large or small, is free-cut from that same green silk fabric found in the pot and stems. (My bag o’scraps runneth over with green silk fabric.)

Tiny leaves are placed on the quilt top using a pair of tweezers. Tweezers have saved many a fumbling moment when handling small pieces of fabric. ( It’s like having robot hands without the whirring sound.)

The release paper has been removed from the rim of the pot so larger leaves can be tucked under the rim and fused-tacked into place. The addition of that decorative strip of salmon/pink along the rim of the pot really helps define the shape. And even though the leaves look sort of ill defined, I know hand stitchery can help them.

Adding Details

It’s time to add those fine details to the composition improvised from my fused silk fabric scraps. Details like these bias cut antlers protruding from the heads of the flowers are added. (Note sure if “antlers” is the correct botanical name.) The antlers are lightly fuse-tacked into place because the jury is still out, do I like them? If not, they are easily removed.

Again, the leaves entering the flower pot look like a mush of green. I must be patient. Hand embroidery will give them more definition.

A few irresistible dots are added to the tablecloth. There is nothing like a dot to make your day! And beneath the tablecloth narrow jagged strips are fused into place. Do you recognize them? They are the cut-aways from the edges of the leaves. Nothing goes to waste!


Now comes the moment of truth. The composition improvised from fused fabric scraps is complete but it really needs a border. Why? Because I’ve run the design right up the the edges of the background fabric. A border will frame the quilt and add formality. And much like an empty room, give the composition more room to breath.

The question is what fabric should I use. Should it be strips of fabric like this? By fusing them together, they would overlap the composition about 1/4″ around each side of the quilt making a striped border.

Or should I cut the composition with a decorative blade and drop it onto a piece of batik fabric like this?

The batik fabric wins out! It has many of the colors in the composition but does not overpower the piece like the strip-fused border above. It frames the piece, making it the star. As, I center and fuse-tack it into place on the fused background fabric, I’m happy to report that I do like this improvised art piece.

Adding the Batting

The quilt composition improvised from my fused fabric scraps is complete and it’s time for the fun part, adding fine details with hand stitchery! But first…..

It’s not glamorous but someone has to do it. We have to make the inner stuff, the batting and Timtex that give you something to stitch into and that will hold the quilt into shape. We’ll do this with a Wrapped Binding. (See Directions here: The Wrapped Binding )

The first step in making a Wrapped Binding with a wavy edge is to measure the quilt top. Stack the Timtex and batting (scrim side to Timtex) and cut them about 1″ smaller on each edge than the quilt top. (So if your quilt top measures 12″ x 14″ then the Timtex and batting will measure 10″ x 12″.) Then cut off an additional 1/2″ around each edge in a wavy manner. If you don’t want a wavy edge, then don’t trim off the 1/2″.

After the batting and Timtex are cut the same size and shape, open them up and mark at a corner where they match up. This is very important! Do this for your own sanity. I know it’s helped mine.

Now center the batting onto the back side of the quilt. (Set the Timtex aside. After all the hand embroidery is done through the batting layer, then you’ll put the Timtex behind the batting.) Note that the background fabric is about 1″ larger than the batting on each edge. Remember this batik background fabric has fusible web all over it.

So be careful! Flip the quilt top and batting over and slip release paper underneath. The release paper is there to keep you from fusing the quilt top to the ironing surface.

Using a dry pressing cloth, steam set the quilt top to the batting for 10 seconds in each spot. Glide the iron, don’t place it or you will have iron shapes all over your quilt. (Ask me how I know.)

Now that we’ve steam set the glue the fun part begins! Hand stitchery!