Little Landscape (pre-stitched)
It’s not often you get a chance to transform something old into something new. But like a magician, I shall soon turn this old quilt (2005) into a snappy updated version. And all through the magic of hand embroidery.
Can you see it changing right before your eyes? Good, cause it’s taken me several hours and several TV shows to get it to this point. This is a small piece (9″ x 9″) so I’m using fine, size 12 threads on the rather small elements that make up the design.
In keeping with the theme that I’ve lost touch with reality, my embroidered sheep acquires green fleece. French Knots and Bullion Knots (Size 8 Lime Frappe pearl cotton thread) placed closely together resemble the curl of sheep’s wool, don’t you think? These stitches also have the advantage of lifting off the surface of the fabric evoking the cushy texture of a woolly sheep.
This is what I love about free form embroidery. Like a good mystery novel, you discover as you stitch. Each stitch gives you a clue as to what the next stitch should be. And as you progress through the embroidery, you become more confident of how it will end.
Stay tuned for more fascinating sheep stories soon.
I’m a picture person. An odd shape of fabric or random doodle on paper always conjures up an picture or image in my mind. These few random stitches on wool above suggested an image to me. Can you guess what it is?
I think its a sheep. Now, I don’t know much about sheep or goats or any of those animals with curly horns. But when you improvised a stitched image, who cares? I’ve extended the original couched thread shape to form the animal’s body. Now that I have an outline, I can fill it in and hope to becomes a creature of some sort.
This quilt from 2012 is a demonstration of how to create a basic quilting block (the 9-patch) with fused fabrics. Rather boring.
Hand embroidery placed in the center of each square, makes sweet little flower gardens. Still rather boring.
So recently I put birds on it. A solution for all your not so interesting quilts!
The shape of the small birdhouse is now on the fabric through the miracle of Pattern Transfer to a Fused Fabric! Using a really sharp pair of Karen Kay Buckley scissors, small areas are snipped to reveal openings for the birdhouse.
It’s a tiny birdhouse for very tiny birds.
After trimming, a white batik fabric is slipped under the birdhouse shape. This fills in the openings. Should I make black dots for the holes into the birdhouse? No! Why, you ask? Because it looks like a bunch of eyeballs staring out at me from the birdhouse.
Three more birdhouses are created and fused to the quilt top. This commission quilt (detail of center panel above) is coming along but there is a lot of machine work to do. Hope to show you more on that later.
One of the many elements in the design of the commission quilt I’m working is a purple martin house. This image was sent to me by the people who have requested the quilts and plays a part in their family story.
Heres how I translated the birdhouse image into fabric.
Using the Photo Shop Elements program on my computer, I converted the photo into a black and white image, enhanced the contrast, and sized it to measure about 1.25″ wide by 1.5″ high.
After it was saved as a jpeg, I printed it on paper and colored in the areas that will be green fabric. This becomes the pattern for the birdhouse.
The first step in transfering the green shape to fused fabric is to trace it on to silicone release paper or parchment paper with a black marker.
The drawn or ink side of the paper is placed on to the glue or fused side of the green fabric.
The paper is ironed into place with a hot iron.
After cooling, the paper is removed. See how the lines transfer to the fabric? This method of transfering shapes to fused fabric is so easy and fast. Try it at home!
More on making the bird house soon.